Thursday, November 3, 2011

Classics Review of the Power and the Glory with Lorilyn Roberts


The Power and the Glory

by Graham Greene

Reflections by Lorilyn Roberts


            I initially had a tough time getting into this book—couldn’t find anything to enjoy about it. I came to the conclusion abut midway through The Power and the Glory that this wasn’t a book to be enjoyed. It was a book to ponder deeper meanings of faith, politics, humility, commitment, sin, and consequences.
            The protagonist, the priest, who is never named, is the only priest left in a certain state of Mexico where priests have been outlawed. He has spent the last eight years running from the police to evade capture. He is an imperfect archetype of a savior/martyr, haunted by his past failures and yet still struggling to remain committed to the priesthood. The priest is a conflicted individual, but his character grows; in the beginning of the story he tries to escape on a boat, but at the conclusion, he goes back to the state where priests have all been shot. Knowing he will be caught and killed, he returns to hear the confessions of a dying murderer.
            There were many characters in this book representing “types,” such as the antagonist, the lieutenant who hated the clergy; and the mestizo, a type of Judas. The many children represented hope, as poignantly shown in the final few pages when the young boy lets the priest into the house to hide him from the police. I most identified with the priest and his internal struggles. Greene did an excellent job of showing the priest’s outward struggle to avoid capture as well as his inner turmoil of sin and unrepentant spirit with reference to his illegitimate daughter. All the characters were real, deep, and memorable.
            The takeaway from this book to help me be a better writer includes:

            1. Make every character in the book count for a purpose and a deeper meaning than just “another person” to fill up the pages.

            2. Include qualities even in the antagonist that make him a sympathetic character—the story will be more believable. No one is all good or all bad.

            3. Be willing to tackle a controversial position—a protagonist that is severely flawed and that falls short of the standard can still be redeemed, changed, and become a hero.

            4. Think of ways to use people or animals or locations to enhance symbolic meanings that grow the story. For instance, the priest’s fight with the dog over the bone; the references to the dentist’s equipment and working on teeth;  the numerous beetles bashing themselves against walls—symbolizing pain, the fight for survival, the baseness of human depravity, and loss of dignity.

            5. What you write will linger later in the mind of the reader—shine a light of hope; i.e., the priest who knocked on the door and was met by the young boy.

            6. Not all books are to be necessarily enjoyed, but perhaps serve a greater purpose. Do you want to only entertain, or are you willing to probe the deeper meaning of life and leave the reader with significant ideas to grapple and ponder?






Wednesday, November 2, 2011

Classics Review of Great Expectations with Lorilyn Roberts


Great Expectations

by

 Charles Dickens

Review by Lorilyn Roberts

(spoiler)


Pip, the main character in Charles Dickens's Great Expectations, writes the story in first person as a middle‑aged man looking back on his life. Pip's parents die when he is young making him an orphan. Pip is "brought up by hand" by his sister, who treats him with scorn. His sister's lack of love, however, is tempered by her husband Joe, a blacksmith. Joe is a simple, uneducated man and Pip's only "friend" during childhood. Pip commiserates with Joe about his sister’s verbal thrashings, trying to make the best of his unhappy upbringing.
Early in the story, Pip has an encounter with a convict in the cemetery among the marshes near his home. Unbeknownst to him, this man would be the source for his “Great Expectations” later in life.
One day Pip is invited to the home of Ms. Havisham. Ms. Havisham is a single, eccentric, old woman who stopped living in the real world many years earlier when she was spurned by her lover on her wedding day.
Ms. Havisham has adopted the beautiful Estella, and from the moment Pip meets her, he is infatuated with her beauty. Estella represents wealth, education, success, and opportunity—things Pip values but thinks he will never have.
Dissatisfaction within himself grows as he wants to be more in life than a partner with Joe in the forge. Pip becomes unhappy not only with himself, but also with Joe, who represents what he does not want to be—uneducated and simple. Failing to appreciate Joe's moral character, Pip's world view begins to change as he sees education as something to be attained—the sure way out of his wretched life and the means by which he could woo the object of his unmerited affections, Estella.
          Pip's life changes dramatically when he is visited by a well‑respected and fiercely‑admired lawyer, Mr. Jaggers, who brings him an unusual message. Mr. Jaggers tells Pip he is to receive “Great Expectations,” but the benefactor is to remain anonymous until and only if they choose to reveal their identity. Pip mistakenly assumes the benefactor is Ms. Havisham, and the manipulating, self‑serving woman does nothing to dissuade him from his incorrect assumptions.
The story takes Pip to London where he lives a life of excess and discards many virtues from his childhood. He no longer wants anything to do with Joe and believes his future course has been immutably set—that he is to marry the beautiful Estella. He shares his indulgences with his new friend, Herbert, whose acquaintance he had made years earlier at Ms. Havisham's place. The two of them rack up excessive debt as Pip sees himself as "a man in waiting" for all his fortunes to come to pass.
Things are not what they seem, however. It is eventually revealed that the benefactor is not Ms. Havisham but the convict, Mr. Magwitch, whom Pip had met in the cemetery many years earlier when he was a young, impressionable boy.
Pip is confronted face‑to‑face with the despised convict, hounded by the remembrances of him torturing him in the cemetery, dreams that lingered, causing him much consternation. But now he has to accept the undeniable truth that his turn of fortune is not because of Ms. Havisham's provision, but the despicable convict's desire to make him a gentleman. The convict wants his life to be redeemed for something good and chooses Pip to be that vehicle.  
Through a series of events, Pip acknowledges the inexcusable way he has treated Joe and wants to make amends. Before he can accomplish this, however, other happenings complicate his life. The convict, now in England, needs Pip's protection. Pip must make a way for Magwitch to leave England without being discovered.
While Pip hides him with a trusted friend, Pip comes to realize that the convict he had earlier despised has more redemptive qualities than Pip has within himself. As he makes provision for the convict’s escape, Pip sees Magwitch change for the better, and in so doing, Pip also changes. Instead of hating the convict, Pip grows to love him. The self‑centeredness of Pip's indulgences is replaced with care, not only for the convict, but in growing degrees, for others.
In the process of trying to escape, the convict is attacked by his long-time archrival and enemy. As a result, Magwitch is severely injured, discovered by the authorities, put on trial and convicted, but dies from his injuries before his death sentence can be carried out. Magwitch’s estate is turned over to the authorities to make restitution for past wrongs. Pip is left penniless and obligingly accepts that his Great Expectations and source of income have dissipated into nothing. Meanwhile, Estella marries someone else—a man whom Pip despises.
A few years earlier, Pip had secretly made arrangements for his friend Herbert to have a small expectation out of his “Great Expectations,” amounting to a sizable sum of money. When it becomes known to Pip that he will lose his “Great Expectations” to the authorities, his only thought is for his friend. Pip returns to visit Ms. Havisham and requests, in a show of repentance for the wrongs she had done to him, a sum of money that Pip could again secretly provide to Herbert.                 
Herbert wisely uses this money to successfully buy into a business venture. He later marries and moves overseas in his business pursuits—none of which would have been possible without Pip's anonymous provision to Herbert.
          Pip credits this as the only redeeming thing he has accomplished, reflecting on all the other things he did or didn't do that could have been used for good.
Pip falls ill following the death of his convict friend, Magwitch, and Joe comes to England to care for him until he is well. Joe surreptitiously leaves early one morning when Pip is sufficiently recovered, and when Pip wakes up, he discovers Joe has paid off all his creditors.
Pip immediately returns home in penitence to confess to Joe all his past wrongs, realizing that Joe is a better man than he. He recognizes in his now humble state that his “Great Expectations” deceived him into using it as a source of pride against Joe.
Upon arriving home, Pip’s expectations are not what he envisioned. His sister who raised him by hand has long since died as a result of an attack on her by the evil Orlick. His childhood friend and confidant, Biddy, has just married Joe. In the end, redemption works its way for good. Joe and Biddy are happily married and the sore memories of Pip's sister are forgotten.
Pip returns to London and within a month, leaves England and joins Herbert's firm, Clarriker and Company, overseas. Pip lives abroad with Herbert and his wife, and after successfully making partner, eleven years later, returns to his boyhood home in England. He discovers Joe and Biddy now have a son who reminds him of himself.
Before bidding Joe and Biddy a final farewell, Pip makes one last trip to the Havisham place, the old woman having died many years earlier. Pip discovers Estella in the garden, a chance meeting since she no longer lives there. The old house and brewery have been torn down and sold off except for the garden enclosed by the ivy‑covered wall.
Years of a stormy, failed marriage have softened Estella's vindictive, prideful nature, and she confesses that "suffering has been stronger than all other teaching and has taught me to understand what your heart used to be."  The reader is left to ponder whether Pip and Estella ever marry because Pip says, "I saw no parting from her."
                    In the end, Pip learns much about what matters—wisdom he would not have possessed if he had stayed working at Joe's forge. As a middle‑aged narrator looking back, there is sadness but sweetness about what he has lost because of what he has gained. Perhaps the reader is the real winner, having seen redemption on so many levels within each character. In the end, if we are honest, we can identify these shortcomings in ourselves.
If Pip can work out his “Great Expectations” to bring redemption, perhaps we can, also—that is, again, if we are honest. Our sinful nature will always be there, but if we look for good, God will not disappoint us. Maybe “Great Expectations” will not only find us, but redemption will be there, too, just as it was in Pip.


Tuesday, November 1, 2011

Classics Review of Frankenstein with Lorilyn Roberts


Frankenstein

by Mary Shelley



Review by Lorilyn Roberts

A Christian Psychological Thriller


 When my professor asked me to read this book, my first thought was, “Why would I want to read Frankenstein? He is a monster and I don’t like those kinds of books.” But I downloaded it on my Kindle and began reading, expecting to be bored and thinking I probably would struggle to finish it.
        Quite to the contrary, Frankenstein is a suspenseful, psychological thriller. As an author wanting to study and emulate the best classics ever written, I have attempted to highlight some of the strengths of Frankenstein and the techniques Mary Shelley used to draw the reader into the story, creating a book whose name 150 years later is still synonymous with the word “monster.”
        Writing in the first person, Shelley’s words are descriptive and pregnant with feeling. The reader is immediately propelled into the story, wanting to learn who this eccentric protagonist is that’s planning a trip to the North Pole.
        Shelley uses the technique of letters written by the protagonist, Walton, to his dear sister to set the stage and background.  Later on the voyage, Walton meets up with Victor Frankenstein. The creator of the villain, Victor, pours out his tearful tale to Walton concerning the monster he created, where the reader is taken on a journey of emotions that vacillates between compassion and abhorrence.
What makes a good book is what the reader continues to ponder and reflect on afterwards. I began to personalize Victor Frankenstein – what monsters have I created in my own life? What wreck have I made of others’ lives? What will follow me all the days of my life? What enticements have I pursued against the advice of others because I was foolish? What consumes me that is beguiling and evil? How much control does the devil have over my heart that sends me down lonely paths of destruction and despair?
The theme of this book is haunting. There is never a word spoken of Christianity or the Bible or Scripture; yet so much of the content is based on the nature of man and his need for redemption—the concept of man’s depraved nature, but also his unquenchable thirst for love.
        Even the antagonist is a victim, and the reader has pity and compassion on the monster despite his demonic nature. It’s a shame that the name “Frankenstein” is so associated with the grotesqueness of the creature and not as an incredible classic that anyone aspiring to be a great writer should enjoy. Too few books today delve into the psychological nature of man and the condition of the human heart in such a profound way. My hope is to embrace the challenge of writing with a Christian worldview without the reader being told they are reading such a book. To show rather than tell, as is the case with this story, is the penultimate example of great writing.

    


Monday, October 31, 2011

Reflections on Crime and Punishment with Lorilyn Roberts


Reflections by Lorilyn Roberts on

Crime and Punishment

by Fyodor Dostoevsky




 Crime and Punishment is the most profound fictional book I have read on evil and suffering. I remember when I was young and foolish—the “crimes” I committed, followed by outlandish lies I told to cover my tracks. I believed I wouldn’t get caught because I was smarter than everyone else. They are memories I would like to bury somewhere in a cave and forget. I was caught in every instance and soon learned I was not extraordinary.

Never mind the “punishments” I received. What I learned early on is I have a conscience. A relentless whisper spoke to me even when I didn’t want to listen. My guilt pricked my soul like a thorn, bothering me more than I could have imagined. I did not know I would feel so miserable before I committed each of my various “crimes.”  I was forced to carry a heavy burden that painfully weighed me down until I either confessed my sin or my guilt was discovered. The suffering was relentless and did more to drive me to a loving God than the severe discipline I received from those who showed no grace.

Crime and Punishment addresses this psychological suffering in a most profound way. The protagonist, Raskolnikov, believes he has unveiled a hidden truth: That there are two classes of beings—those who are ordinary and those who are superior. The superior individuals are those who commit crimes that are deemed later to be justified because the end (a better society) justifies the means (killing an innocent person). He cited examples of great conquerors such as Alexander the Great.

Raskolnikov subconsciously acts on his newly discovered “truth” by murdering a “leech” on society. But then he is forced to kill an innocent observer to cover up his actions. Thus began the story, and the rest of the book lays out the immense suffering brought on by Raskolnikov’s refusal to come to terms with his wicked crime.

Even when Raskolnikov publically confesses his crime at the end of the book, because of pride, he is unwilling to admit personal guilt. His suffering continues, making him ill and adversely cutting him off from society, friends, and family. Only his dear, long-time friend Sonya, gives him grace, traveling with him to Siberia. Sonya, a former prostitute driven to such circumstances by ill-deserved depravity, lived her life sacrificially for others. Despite her intense suffering as the result of family sins, she exuded love, drawing strength from reciting Scripture, which became her saving grace.

Sonya never gave up on Raskolnikov. In the end, it was her unconditional love that brought Raskolnikov to repentance, and through repentance, salvation.

It is difficult for me to add more to this commentary without destroying the beauty of Dostoevsky’s writing. What speaks to me the most about this book, besides the profound truths portrayed, is the way Dostoevsky writes. Every scene is fully developed; each person’s thoughts and motivations are explored; detailed attention is given to societal norms—the good, the bad, and the ugly; and the overarching themes of suffering and hopelessness hang broodingly over the pages. The surprise ending supports the truth of Scripture—that all evil can be conquered by grace. Sonya’s faithfulness and love for Raskolnikov overcomes the darkness, leaving the reader with hope that God can redeem the vilest of creatures.     

Saturday, October 29, 2011

Showcasing Amanda Stephan


      Amanda Stephan is just a normal, everyday country girl. She resides near Columbia, TN with her husband and children, three cats, one dog, and multiple roosters that love to roost under their bedroom windows. She loves to laugh and have a good time, and loves to read a good book. 
     Out of love for her family and love for God, she finds writing to be an opportunity to share God's love for others in a fun and entertaining way. Her first novel, The Price of Trust, was published in May of 2010, her second novel, Lonely Hearts, is due for release at the end of October, 2011, and her Slade series was just picked up by TreasureLine Publishing.
      If you were to ask her to share one thing about herself that most people don't know, she'd have so many to choose from that she'd probably hesitate for a moment. Not quite a recluse, she's rather camera shy, doesn't like to be in the spotlight, and absolutely LOVES to have her feet tickled. But she would say her most interesting accomplishment is that she laughs like Scooby Doo.

You can usually find Amanda lurking in several online places at once like her 

Facebook fan page
Facebook authorpage
Twitter  
her website  or book website
or her personal blog


About the Book: - Read an excerpt below.

2_Chapter_Excerpt_-_Lonely_Hearts

Tuesday, October 25, 2011

K Dawn Byrd, Ten Things I Learned on my Publication Journey


"A few things I've learned along the way"
during my publishing journey.
by K Dawn Byrd

1)      If you don't have patience, you'll get it during the publishing process. I'm not a very patient person. I want what I want now! I've learned to apply the old Army slogan, "Hurry up and wait." Everything moves at a snail's pace and you might as well accept it.

2)      You never know what you can do until you give it a try. I'm 43 years old and wondered if I could get inside the head of a young adult well enough to write a young adult novel. Judging from the emails I've received from young adults, somehow I pulled it off. I've had several ask me to tell the story of a secondary character. Shattered Identity, the sequel to Mistaken Identity, will tell Lexi's story and will be out in April.

3)      My cover artist normally knows what's best. Never have they given me exactly what I've asked for on a cover, but that's fine because I'm not a cover expert. Only once have I had a cover that I truly hated and my cover artist was nice enough to work with me to come up with something I liked.

4)      Not everyone will love what you write. The lowest ranking I've ever received was three stars and I can live with that. It's important to develop a thick skin early on because not everyone will love what you write. Even NYT bestsellers get bad reviews.

5)      Never underestimate the power of networking. I've attended two conferences in the last two years and loved both of them for various reasons. It's so important to invest in conferences where agents and editors you're interested in will be on faculty.

6)      NaNoWriMo (National Novel Writing Month) was one of the best challenges I ever took. It changed the way I write forever. It's a yearly Internet event where authors come together and take the challenge to write 50,000 words in 30 days. Give it a try. It's always during the month of November.

7)      My editor knows best. I'm lucky enough to have an editor who I truly respect and trust. Sometimes, I question what she says, but when I think it over for a little bit, I know she's absolutely right.

8)      Writing is a lonely hobby. You'd better enjoy being alone because you'll shut yourself away for hours during the writing and editing process.

9)      I need my writing friends. There are times we all feel down and wonder why we write. It's great to have encouraging friends who will lift you up. In my case, I can't NOT write. I've tried. I once went for a month without writing and was one of the most miserable people on the face of the earth.

10)   Don't write for money or fame because they may never come. Write because you love it. I write for the simple joy of placing words on the page.

K.Dawn Byrd, Author of:
Queen of Hearts (April 2010) & Killing Time (August 2010)
Mistaken Identity (June 2011) & This Time for Keeps (October 2011)
http://stores.desertbreezepublishing.com/-strse-template/KDawnByrd/Page.bok

Thursday, October 13, 2011

Cure For the Common Life book review

Max Lucado
c. 2005
Thomas Nelson
ISBN 9780849900082


Filled with encouragement, Lucado’s book gives Christians a boost to discover our uniqueness to showcase the glory of God. Not ourselves, not even to contribute to society, but to praise and glorify our Creator. What an intriguing and refreshing way to think of ourselves in God’s eyes.

The spirit has given each of us special gifts to make a big deal of God.
How do we find them? This book is divided into two parts: the first is an exploration of our uniqueness; the second, a workbook showing us how to find it.

Lucado gives pages of statistics from surveys that show Americans claim to be unhappy going to work. Since God wants us to work, what do we do? How do we break out of the “epidemic of commonness?” Lucado counsels us to find our true talents by studying ourselves and learning who we are so we can match our abilities with suitable work. “Re-relish your moments of success and satisfaction. For in the merger of the two, you find your uniqueness.”

We’re also encouraged to understand the concept of “enough”; or not to let gathering stuff compound our ability to honor God. The author encourages us to know God and to be fully known by accepting the price he paid for us, keeping our focus and worship on him. And in that vein, think of our work at worship. After all, it belongs to him. Make everything count-even the smallest of deeds

Filled with stories of people from Biblical through modern times who listened to God and themselves to discover their innermost gifts, Cure For the Common Life will cheer the reader who is also searching for purpose. The second part of the book, the workbook, guides us through the S.T.O.R.Y. process: finding our sweetspot (reflecting on enjoyable things done well); the recurring themes in our lives; optimal conditions (what kick-starts and keeps our interest); the relationships in our lives; and the Yes! component-what I can do to improve and affect others. There are also notes and a chapter by chapter study guide.


I received a copy of this eBook from BookSneeze for review.