New Mystery from Tam May

 

A Wordless Death: An Early 20th Century Mystery
(Adele Gossling Mysteries Book 2)

Tam May
July 2022

Dreambook Press

361 pages

Ebook $4.99
Print $12.99

Buy on Amazon 
Barnes and Noble 

About the Book

Is the death of a schoolteacher suicide or something more sinister?

Adele Gossling is adjusting well to small-town life after the hustle and bustle of San Francisco. Despite her progressive ideas about women and her unladylike business acumen, even Arrojo’s most prominent citizens are beginning to accept her. Provided she sticks with the business of fountain pens and letter paper and stays out of crime investigation, that is…

But that’s just what she can’t do when Millie Gibb, the new teacher at the local girl’s school, is found dead and everybody in town assumes the homely, unmarried spinster committed suicide. After all, what enemies could a harmless, middle-aged woman have?

Adele and her clairvoyant friend Nin intend to find out. But can they prove Millie’s death was foul play based on a cigar stub, a letter fragment, and a cigarette lighter before the case is closed for good?

You’ll love this turn-of-the-century whodunit where a sassy and smart New Woman gives the police a run for their money!

My Review

Adele Gossling hasn’t had much time to rest after her former neighbor and potential friend was found dead in her yard. After a strange encounter with local teacher Miss Gibb at the post office one morning, during which her impatience and the postmaster’s cantankerousness moods clash, Adele has reason to feel concern as Miss Gibb is soon dead in her boarding house room.

Adele’s brother Jackson is now a member of Arrojo’s small police force, but he’s still nursing some misgivings about this brave new century and independent women. A woman who isn’t a homemaker and mother must be unfulfilled in life, and therefore unhappy, and maybe unhappy enough to end her own misery. Lacking definitive proof of foul play. Miss Gibb’s case is put to rest. Adele isn’t sure about that, and with the urging of one of the boarding house residents eagerly sets out to learn the truth of the matter.

Adele and her friend Nin connive their way onto the scene of the crime as well as into the evidence files and begin to unravel a cruel and twisted murder mystery that can’t be ignored.

It’s time to put to rest the notion that a woman with foiled aspirations to rise in her career must be suicidal. Adele and Nin are living examples of independent and content modern women, and crusaders of justice. With snappy and acerbic dialog, May gives readers a quirky and strong female sleuth for the Modern Age. I await Adele’s next adventure.

About the Author

As soon as Tam May started writing when she was fourteen, writing became her voice. She writes engaging, fun-to-solve historical cozy mysteries. Her mysteries empower readers with detailed plots and a sense of “justice is done” at the end. Her fiction is set in and around the San Francisco Bay Area because she adores sourdough bread, Ghirardelli chocolate, and the area’s rich history. Find more at http://www.tammayauthor.com

New Adele Gossling mystery from Tam May

 

The Carnation Murder
Tam May
May 2022
Dreambook Press
360 pages
Ebook $2.99
Print $12.99
 
Buy on Amazon 
Barnes and Noble 
 
About the Book
Can a forward-thinking woman help the police solve a murder in a backward-thinking town?

Smart inquisitive, and a firm believer in the new progressive reforms, Adele Gossling seeks a new life after the devastating death of her father. So she flees the big city of San Francisco for the small town of Arrojo. She plans a life of peace and small pleasures running her own stationery shop and living in her own house.

But peace is exactly what she doesn’t get when she discovers her neighbor dead in her gazebo. The police think they have a firm suspect: the young man who was secretly engaged to the victim. But Adele and her clairvoyant new friend Nin Branch suspect the young man is innocent. In spite of the raised eyebrows from Arrojo’s Victorian-minded citizens, she and Nin set out to prove Richard Tanning didn’t do it. But if he didn’t, who did?

Can Adele and Nin solve this puzzling case involving a striped carnation, a diamond ring, a note, a muddy pair of boots, and a broken promise? Or will Richard hang for a crime he didn’t commit and the real killer go free?

 
My Review

From the moment Adele roars up to Arrojo, California’s downtown in her newfangled automobile and confronts the hobsnobs, I rooted and cheered for this firmly kind progressive young woman. It’s not easy trying to live the life you want; definitely not when you’re a single young woman in 1904. Adele sets up housekeeping in a classic abandoned home and sets up a stationery business with her inheritance from her late father, a San Francisco attorney. Adele’s handsome single brother, Jackson, a former detective now at loose ends, occasionally comes to check on her, and the two of them become embroiled in a murder investigation after an unfortunate neighbor girl’s body is discovered in Adele’s gazebo.

May did a great job of establishing several suspects and unique plot twists. I love mysteries and truly wasn’t completely certain about the identity of the murderer until the end. Adele gradually turns the hoity toity neighbors into allies and friends, and Jackson learns to find peace with his own special set of policing skills. Fully fleshed characters and well-researched for era and setting, readers who like mysteries with strong female sleuths and unique characters will enjoy this first book in a new series.

 
About the Author

As soon as Tam May started writing when she was fourteen, writing became her voice. She writes engaging, fun-to-solve historical cozy mysteries. Her mysteries empower readers with detailed plots and a sense of “justice is done” at the end. Her fiction is set in and around the San Francisco Bay Area because she adores sourdough bread, Ghirardelli chocolate, and the area’s rich history. Find more at http://www.tammayauthor.com

Guest post Psychological History: Putting the Emotional Element Back Into History

 

Photo Credit: Polarity masks, published 7 July 2015: johnhain/Pixabay/ Pixabay License

Fans of my work know that since I began publishing historical fiction with The Specter in 2019, I’ve been talking about how my passion for history lies more in the social and psychological aspects of history than in the events. I wrote not long ago on my blog about what social history is and how I use it in my fiction. Now I’m tackling psychological history and how it plays a role in my fiction.

Social history is essentially putting the human element back into history. Psychological history is, then, putting the emotional element back into history. At first glance, making these distinctions might seem redundant. After all, just as history happens to humans, humans have emotions, so, therefore, emotions are always present in history, right?

Well, yes, but it’s more complicated than that, I think. Just as social history brings in the people that were traditionally left out (like, African Americans, and Native Americans), psychological history tells us how they felt about history --- their own and their ancestors. They react not only physically to what is happening around them (just as we do today) but also emotionally and mentally. History books often tell us what happened in great detail so we get a sense of being in that moment in time, and they also tell us who it happened to. But to complete the picture and really into the past, we have to know how those events made those people feel and how they reacted to them and how they changed their lives (and, by extension, ours).

It’s easy to see why history books can’t give us this. After all, we can’t really know for sure how people felt about what was going on around them, whether those feelings were about the after-effects of World War I, the stock market crash of 1929, or the first exploration of the moon in the 1960s. We can only guess by reading personal and fictional accounts.

I like to take things one step further and go beneath the surface, looking at the psychological reality of my characters as they live and breathe their time. I think it’s especially important that they explore their own past to reveal what’s under the iceberg. Only then, we can really get a sense of how they felt in their own time and find ourselves in their lives.

This is just what I do with the Waxwood Series, which is about not only the historical shifts that happen to the Alderdice family in the last years of the 19^th century but also their more personal journey from blind convention to emotional growth and understanding. The protagonist, Vivian Alderdice, finds herself as a woman during turbulent times in America, discovering truths about her family and herself that she must face. It becomes a rough but satisfying personal journey for her.

My upcoming series works a little differently, as it’s a cozy historical mystery. But the past still leaves its mark on the protagonist, Adele Gossling. As a New Woman of the turn-of-the-century, she both embraces the freedoms that young women were beginning to enjoy at that time while still hesitating, caught in a virtual time warp when she moves from the big city to a small town.

You can read more about my upcoming series, the Paper Chase Mysteries, here.

And here’s a little more about Dandelions, the last book of my Waxwood Series, which came out in December 2020:

She had more in common with her nemesis than she wanted to believe…

For Vivian Alderdice, the 20^th century begins with a new start. Now a working girl and progressive reformer like her friend, Nettie Grace, she has forsaken the Gilded Age opulence of Nob Hill for the humbler surroundings of Waxwood’s commercial district. Rather than whittle away her days with other wealthy young women in gossip, parties, and flirtations, she sells talcum powder and strawberry sodas to customers at Nettie’s Drugstore and helps the poor to read at the Waxwood Women’s Lending Library and Reading Room.

But sometimes the scars of the past leave bitterness behind …

Harland Stevens, the man who ruined her brother’s life two years before, appears like another specter in Vivian’s life and, in spite of herself, Vivian is compelled to help him escape from a hell of his own.

Purchase Dandelions at your favorite online bookstore here.

Interesting in knowing more about the series? You can check out this page.

Tam May started writing when she was fourteen, and writing became her voice. She loves history and wants readers to love it too, so she writes historical fiction that lives and breathes a world of the past. She fell in love with San Francisco and its rich history when she learned about the city’s resilience and rebirth after the 1906 earthquake and fire during a walking tour. She grew up in the United States and earned a B.A. and M.A. in English. She worked as an English college instructor, interesting a class of wary freshmen in Henry James’ fiction. She also worked as an EFL teacher, using literature to teach English to business professionals before she became a full-time writer. 

Her book Lessons From My Mother’s Life debuted at #1 on Amazon in the Historical Fiction Short Stories category. She’s also published a Gilded age family saga titled The Waxwood Series. Set in Northern California at the close of the 19th century, the series tells the story of the Alderdices, a wealthy San Francisco family crumbling amid revolutionary changes and shifting values in America’s Gilded Age. Tam’s current project delves into historical mystery fiction. The Paper Chase Mysteries is set in Northern California at the turn of the 20th century and features amateur sleuth and epistolary expert Adele Gossling, a young, progressive, and independent young woman whose talent for solving crimes comes into direct conflict with her new community, where people are apt to prefer the Victorian women over the new century’s New Woman. 

Tam lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature, watching classic films, cross-stitching, or cooking yummy vegetarian dishes.

For more information about Tam May and her work, check out her website at www.tammayauthor.com. You can also sign up for her newsletter, which offers glimpses into the nooks and crannies of history that aren't in the history books and subscriber-exclusive sneak peeks, giveaways, and polls. plus a free short story.

To connect with Tam May:

Website: https://tammayauthor.com/

Blog: https://tammayauthor.com/category/thedreambookblog

Facebook: https://www.facebook.com/tammayauthor/

Twitter: https://twitter.com/tammayauthor

Pinterest: https://www.pinterest.com/tammayauthor/

Instragram: https://www.instagram.com/tammayauthor/

Goodreads Author Page: https://www.goodreads.com/author/show/16111197.Tam_May

Amazon Author Page: https://www.amazon.com/Tam-May/e/B01N7BQZ9Y/

BookBub Author Page: https://www.bookbub.com/authors/tam-may

Dandelions book 4 of Waxwood series by Tam May

Dandelions

Tam May, book 4 Waxwood series

Genres: Historical fiction, women’s fiction, family saga/drama
Release date: December 20, 2020
$3.99 Ebook
$10.99 Print, 266 pp

Buy on Amazon
Barnes and Noble

About the Book:
She had more in common with her nemesis than she wanted to believe…

For Vivian Alderdice, the 20th century begins with a new start. Now a working girl and progressive reformer like her friend, Nettie Grace, she has forsaken the Gilded Age opulence of Nob Hill for the humbler surroundings of Waxwood’s commercial district. Rather than whittle away her days with other wealthy young women in gossip, parties, and flirtations, she sells talcum powder and strawberry sodas to customers at Nettie’s Drugstore and helps the poor to read at the Waxwood Women’s Lending Library and Reading Room.

But sometimes the scars of the past leave bitterness behind …

Harland Stevens, the man who ruined her brother’s life two years before, appears like another specter in Vivian’s life and, in spite of herself, Vivian is compelled to help him escape from a hell of his own.

Find more here.

My Review:
The Waxwood saga gets a new twist when Vivian Alderdice learns another lesson in compassion. I’m drawn into this series of the West Coast elite during the turn of the twentieth century – the Gilded Age in San Francisco. Author Tam May has done an artful job staying in character and context, scene and setting of this often overlooked and elusive era of modern history.

The Alderdice family is not what it seems – but then, everyone has secrets. The saga begins in book 1 with Vivian Alderdice’s grandmother, whose secret entices Vivian on a journey of discovery, first to unravel a mysterious friendship, then in subsequent books, a journey of self-discovery. Vivian chose to step away from the illusions of the wealthy elite to find a useful place in society. She moves in with a new friend and leaps headlong into aiding the working class society of Waxwood, the real life community just outside the resort community outside of San Francisco where the well-to-do spend summers.

In this fourth book, when Vivian’s past makes an unwelcome appearance in the guise of a former friend taking care of a relative now in a near catatonic state, the friend elicits Vivian’s help. Roger thinks she can reach inside his cousin Harland Stevens’s broken mind and find the man who once controlled the fate of young men which included her brother, resulting in disaster. Vivian has despised Stevens for ruining their lives.

Vivian receives a mysterious message about forgiveness from a beggar woman, and must decide whether to act on it. The lessons she’s learning about compassion have a greater impact than she expects. I look forward to reading more about her journey in future books.

Although readers will benefit from reading the books in order, each book is complete if you give yourself time to allow the story to unfold at its own pace. The Gilded Age, after all, was a gentile time. Take a step back and allow yourself to be immersed in an era of change. Told from a tight angle of omniscient perspective, readers follow the story mostly from Vivian’s point of view with occasional insights from the supporting characters.


About the Author
Tam May started writing when she was fourteen, and writing became her voice. She loves history and wants readers to love it too, so she writes historical fiction that lives and breathes a world of the past. She fell in love with San Francisco and its rich history when she learned about the city's resilience and rebirth after the 1906 earthquake and fire during a walking tour. She grew up in the United States and earned a B.A. and M.A. in English. She worked as an English college instructor, interesting a class of wary freshmen in Henry James' fiction. She also worked as an EFL teacher, using literature to teach English to business professionals before she became a full-time writer.

Her book Lessons From My Mother's Life debuted at #1 on Amazon in the Historical Fiction Short Stories category. She's also published a Gilded age family saga titled The Waxwood Series. Set in Northern California at the close of the 19th century, the series tells the story of the Alderdices, a wealthy San Francisco family crumbling amid revolutionary changes and shifting values in America's Gilded Age. Tam's current project delves into historical mystery fiction. The Paper Chase Mysteries is set in Northern California at the turn of the 20th century and features amateur sleuth and epistolary expert Adele Gossling, a young, progressive, and independent young woman whose talent for solving crimes comes into direct conflict with her new community, where people are apt to prefer the Victorian women over the new century's New Woman.

Tam lives in Texas but calls San Francisco and the Bay Area "home". When she's not writing, she's reading classic literature, watching classic films, cross-stitching, or cooking yummy vegetarian dishes.

For more information about Tam May and her work, check out her website at www.tammayauthor.com. You can also sign up for her newsletter, which offers glimpses into the nooks and crannies of history that aren't in the history books and subscriber-exclusive sneak peeks, giveaways, and polls. plus a free short story.

Pathfinding Women and the art of sequels with Tam May

Tam May started writing when she was fourteen, and writing became her voice. She loves history and wants readers to love it too, so she writes historical fiction that lives and breathes a world of the past. She fell in love with San Francisco and its rich history when she learned about its resilience and rebirth after the 1906 earthquake and fire during a walking tour. She grew up in the United States and earned a B.A. and M.A in English. She worked as an English college instructor (where she managed to interest a class full of wary freshmen in Henry James’ fiction) and EFL teacher (using literature to teach English to business professionals)before she became a full-time writer.

Her book Lessons From My Mother’s Life debuted at #1 on Amazon in the Historical Fiction Short Stories category. She is currently working on a Gilded Age family drama titled the Waxwood Series. The first book of the series, The Specter, came out in June 2019, and the second book, False Fathers, was released in December of that year. Book 3, Pathfinding Women is out now, and Book 4 will be released in December 2020.

Tam lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature, watching classic films, cross-stitching, or cooking up yummy vegetarian dishes.

For more information on Tam May and her work, check out her website at www.tammayauthor.com. You can also sign up for her newsletter, which features lots of information on fascinating psychological and social history and subscriber-exclusive sneak peeks, giveaways, and polls. plus a free short story.

Guest Post

When I started publishing books in 2017, I had only a vague idea of what meant to write a series. My first book was a stand-alone short story collection (which I revised and re-released earlier this year as Lessons From My Mother’s Life, which you can find out more about here). After that book came out, I knew I wanted to write a Gilded Age family saga which became the Waxwood Series. I originally planned on writing  a trilogy. However, the series morphed into four books after I realized a prequel short story I had written as an early free gift for my newsletter subscribers needed to be Book 1 of the series. It was the story of “how it all began,” that is, how the protagonist of the series, Vivian Alderdice, begins her journey to uncover the lies, half-truths, and secrets tainting the family through the generations.

Most writers have an “I wish I would have known that before I started” moment, and mine was when I realized a series is not just a collection of books that share similar characters or locations. A series has a beginning, middle, and it has to work like a story. It has to have a climax and resolution and a progression of growth and change in one or more of the characters to satisfy the reader. Even if the books do not tell one cohesive story, they must be linked, and that link has to have causality. Author and writing teacher John Gardener explained it as the difference between “The king died, and then the queen died” and “The king died, and then the queen died of grief.”

I made this discovery after I wrote the second book of the series, False Fathers. That book is about Vivian’s younger brother, Jake, and his coming of age. I originally intended Book 3 to follow the pattern of focusing on different characters who had a connection to the Alderdice family, the family of my series. But after Book 2, I realized the central theme of the series was the way the family members find authenticity and truth after the façade created by the lies and secrets is exposed. The family metaphorically sheds its old skin for a new one.

Given that, I knew Book 3 had to continue that story arc.Book 1 was about Penelope Alderdice, Vivian’s grandmother, “where it all began.” Book 2 was about Jake and his journey. Vivian’s journey kicked off in Book 1, and then stalled in Book 2. So it was a natural progression to bring her back and continue her journey in Book 3, Pathfinding Women.

Pathfinding Women is now available, and you can find out more about the book and get your copy here.

Pathfinding Women (Waxwood Series: Book 3)

Author – Tam May

Publisher – Dreambook Press

Pages – 376

Release Date – 13 September 2020

ISBN 13 – 978-0998338507

Formats – ebook, paperback

Synopsis

There are paths in life we have no choice but to follow.

At the close of the nineteenth century, Vivian Alderdice is twenty-six, unmarried, and has no prospective suitors. Now the heiress of the Alderdice fortune, she has yet to fulfill her duty to her family and to society: to marry well and produce heirs.

Her brother’s tragic plight the year before left her and her mother on shaky ground with the San Francisco bluebloods of Nob Hill, and the only way they can re-establish their social position is to win the heart of Monte Leblanc, a wealthy Canadian in search ofa wife and looking to become a member of the exclusive Washington Street society.

But a young man on the train tells Vivian things about her grandmother that shake her to the core. Even as she is pursued by the debonair Monte Leblanc, Vivian can’t avoid ghosts from the past who send her on a journey she is reluctant to take.

Is there always light at the end of a dark and hellish path?

Author Links:

Website: https://tammayauthor.com/

Blog: https://tammayauthor.com/category/thedreambookblog

Facebook: https://www.facebook.com/tammayauthor/

Twitter: https://twitter.com/tammayauthor

Pinterest: https://www.pinterest.com/tammayauthor/

Instragram: https://www.instagram.com/tammayauthor/

Goodreads Author Page: https://www.goodreads.com/author/show/16111197.Tam_May

Amazon Author Page: https://www.amazon.com/Tam-May/e/B01N7BQZ9Y/

BookBub Author Page: https://www.bookbub.com/authors/tam-may

Lessons From My Mothers Life book review

Author Tam May discussed her purpose and the updating process for her work here.

Lessons From My Mother's Life
Tam May

Historical Fiction, short Story Collection
$9.99  Print, 190 pp
$0.99  Ebook
Buy here:Amazon, Barnes & Noble, Apple iBooks, Kobo

       About the Book:

It was the 1950s. The war was over and women could go back to being happy housewives. But did they really want to?

Women in the 1950s should have been contented to live a Leave it to Beaver life. They had it all: generous husbands with great jobs, comfortable suburban homes with nice yards, two cars, and communities with like-minded families. Their days were filled with raising well-behaved children, cleaning the house, baking cookies, and attending PTA meetings and church events.

They should have been fulfilled. Women's magazines told them so. Advertisers told them so. Doctors and psychologists told them so. Some were. But some weren't.

In the 1950s, women were sold a bill of goods about who they were and who they should be as women. Some bought it. But some didn't.

These stories are about the women who didn't. They didn't buy that there wasn't more to life than making a happy home. Except they didn't know they weren't buying until something forced them see the cracks in their seemingly perfect lives.

A teenage bride sees her future mirrored in Circe's twisted face. A woman's tragic life serves as a warning about the dangers of too much maternal devotion. And the lives of two women intersect during two birthday parties, changing both of them. These and other moving tales of strength, discovery, and hope are about our mothers and grandmothers and the lessons their lives have to teach us.

My review:

Tam May’s reimagined and repurposed collection of short historical fiction strikes a cord with readers who experienced the result of that tumultuous time. After WWII, when women were needed, they suddenly found themselves demoted to decorations as the world hit a technological boom that took their dignity. In an era that bolstered men returning from the warfront to resettle into a new world of exciting careers in science, technology, sales, and service, their wives were expected to maintain a certain decorum of support. Those who sought independence were deemed unfeminine; an unfortunate label other women were encouraged to assign.

I agree with other reviewers who call these stories somewhat bleak. But each of the challenges is worthy of thought and discussion, and still disturbingly relevant. Each of the women in the five stories struggles to refrain from becoming “Mrs. John Smith,” even if they don’t understand what that means. In “Fumbling Toward Freedom,” for instance, our young bride-to-be refuses to register for gifts because she “wanted those things [towels and dishes] to be of her taste rather than the taste of others.” It’s a subtle, perhaps unconscious desire to control her surroundings that battles out through the tale. In other stories, a young woman sacrifices herself as an early teen to become the mother/homemaker while her own mother wallows in pity. It becomes a role she can’t escape from, a role that consumes her and overwhelms her ability to find joy and understand love. In perhaps the oddly happiest of the stories, “Soul Destinations” is a noir train journey of strangers fighting their demons and finding peace and comfort in each other’s presence. An engagement party goes terribly right in “Devoted,” when Rachel’s aunt sheds light on a touchy subject, and it’s not the one we think, as everyone learns some truth behind what it means to love and be loved. The final story, “Two Sides of Life,” was unsettling. Empty nesters try to fill in their lives their own muddied way; Calvin by trying to fix something he doesn’t understand, and Leanne by struggling up the slippery slope of a tilted foundation. She’s been the glue, the firm cornerstone, and the rock everyone’s relied on for years, and when she is ready to remodel, her husband fearfully attempts to push her back in place. Dual birthday celebrations help Leanne realize some ugly and brave truths about herself, giving her a better footing for the future.

These are not all easy or joyous stories, but skillfully told and well set in time and place. Good for those who enjoy thoughtful prose that begs serious contemplation.

Tam May on Updating Gnarled Bones

In 2017, I published my first book. It was a book of contemporary literary/psychological fiction short stories titled Gnarled Bones and Other Stories. Lisa Lickel was, in fact, generous enough to review the book, which you can read about here. It was an important book for me and one that allowed me to “test the waters,” as it were, as a self-published author.


But, like many authors with their first book, I wasn’t completely satisfied with it. In 2018, I started to entertain the idea of putting out a second edition. At the end of that year, my writing started to evolve from contemporary fiction to historical fiction. I began the Waxwood Series, and in 2019, I published the first two books of that series, The Specter and False Fathers. I discovered my passion for history and fiction go very deep, and I wanted to transfer that passion to readers as well.


At the end of 2019, I began looking again at the stories of Gnarled Bones. Many readers had commented they felt the stories were too short and ended too abruptly. I entirely agreed with that. So the first order of business was to expand and revise the stories.


But I realized also that, like many beginning authors, I hadn’t gone as deeply into what themes tied the stories together in the collection as I should have. Short story collections are tricky because if there isn’t really something to connect the stories, readers sometimes feel unsatisfied with the reading experience.


About that time, I started to read Betty Friedan’s The Feminine Mystique. I had read a snippet of the book in grad school, but I’d always wanted to read the entire thing. Friedan’s experiences interviewing suburban housewives in the 1950s and her quest to find the “happy housewife” connected with me because I realized she was talking about my mother’s generation. I could see how the feminine mystique and the Problem That Has No Name related to my mother’s life and the lives of her friends. I wanted to write about these women in the post-war generation who struggled with a definition of femininity that they were being pushed to accept and that was simply unsatisfying to them and their journey to self-discovery that would bring on the second-wave feminist movement a decade later.


These were the themes that guided me in revising Gnarled Bones for the second edition. In doing so, the book became almost an entirely new work. I even had to change the title of the book to Lessons From My Mother’s Life because the original short story upon which the first edition was titled could no longer be a part of the collection (I’m saving it for a novella of its own). I explain what changes I made to this second edition, and why I made them, as well as some of the background behind the collection in an Author’s Note I include in the book.


I really hope this second edition will resonate with many women who, like me, have mothers and grandmothers that lived through the post-World War II era and that it will help them to understand these women just as writing the stories helped me to understand my mother better.   

It was the 1950s. The war was over and women could go back to being happy housewives. But did they really want to?


Women should have been contented to live a Leave it to Beaver life in the mid-20^th century. They should have been fulfilled. Women’s magazines told them so. Advertisers told them so. Doctors and psychologists told them so. Some were. But some weren’t.


In the 1950s, women were sold a bill of goods about who they were and who they should be as women. Some bought it. But some didn’t.


These five stories are about the women who didn’t.


A teenage bride sees her future mirrored in Circe’s twisted face. A woman’s tragic life serves as a warning about the dangers of too much maternal devotion. And the lives of two women intersect during two birthday parties, changing both of them. These and other moving tales of strength, discovery, and hope are about our mothers and grandmothers and the lessons their lives have to teach us.


This book is the second edition of my 2017 short story collection, Gnarled Bones and Other Stories. This edition has been extensively revised, the stories changed and expanded, and the context moved from the present day to the 1950s and 1960s. This edition also includes a Preface and a bonus chapter from The Specter, the first book of my Gilded Age family drama, the Waxwood Series.


You can find out more information, including buy links here.

Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14, and writing became her voice. She writes historical fiction that examines characters in the social and psychological contexts of their time.


Her first book, a collection of contemporary short stories, was nominated for a 2017 Summer Indie Book Award. A revised and expanded second edition of this book is now available under the title Lessons From My Mother’s Life. She is currently working on a Gilded Age family saga. The first book, The Specter, came out in June of 2019, and the second book, False Fathers, is also now available. Book 3 (The Claustrophobic Heart) and Book 4 (Dandelion Children) will be out in 2020. She is also working on a historical mystery series featuring a turn-of-the-century New Woman sleuth. Both series take place in Northern California.


She lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature and historical fiction, watching classic films, or cooking up awesome vegetarian dishes.


For more information on Tam May and her work, feel free to check out her website at www.tammayauthor.com.

Good Old Summertime in the Gilded Age by Tam May

Photo Credit: Terrasse à Sainte-Adresse, Claude Monet, 1866-1867, oil on canvas, Metropolitan Museum of Art, New York, NY: Crisco 1492/Wikimedia Common/PD old 80

Much of my historical family saga, the Waxwood Series, takes place during the summer months. Our modern mentality regarding summer is not only about hot weather, swimming pools, and summer camp, but it’s also about fun, leisure, and rest. 

But this wasn’t always the case. In the 19^th century, only the privileged (like my Alderdice family) could afford both the time and the money to go away on vacation. In fact, up until the middle of the 19^th century, taking time off during the summer was only for the affluent, teachers and kids. Working people did not take time off in the summer and certainly not for fun and leisure. There were several reasons for this. First, a tension existed between work and play in America then, as it does to some extent now (though we’re much more appreciative of the fact that taking time off from work when the kids are out of school is necessary to recharge our batteries). Second, doctors and ministers and other authorities were suspicious of vacation time, believing it led people into vice and unhealthy behaviors. And, also, most people just couldn’t afford to take time off and go somewhere for the summer.

What changed? Our awareness that being the constant workhorse was, in fact, unhealthy, more so than the sort of vices vacation destinations could offer, for one. Another thing was a rising middle class in the Gilded Age that could finally afford to take the time off from work during the summer to have a good time. And, too, as with much of American life in the Gilded Age, there was the question of commerce. The travel and hospitality industries (like hotels and restaurants) figured out they could make a lot of money by encouraging Americans to take time off and play.

In my Waxwood series, the affluent Alderdice family and other characters end up in the resort town of Waxwood during the summer months. Resort life was growing in the Gilded Age among the wealthy and upper middle class, as evidenced in Charles Dudley Warner’s book, Their Pilgrimage. These wealthy people used to take summer vacation very seriously, spending months lounging in resorts, meeting new people, and participating in all sorts of summer activities and events. Such is the case with the Alderdices, the Paynes (a niece and aunt who appear in Book 3 of the series), and Harland Stevens ( a father figure to Jake in Book 2, False Fathers, and who makes another appearance in Book 4). 

To find out more about my series, you can go to this page. Book 1, The Specter, is available here. 

Sometimes no father is better than a false father.

In 1898 California, Jake Alderdice comes of age as a shy and contemplative youth who is passionate about art. On vacation in Waxwood, now a fashionable resort town, he meets Harland Stevens, who takes an interest in the young man's artistic ambitions. Stevens seizes upon the fatherless young man to counsel him toward a path to manhood inspired by Teddy Roosevelt and Thoreau. He introduces Jake to The Order of Actaeon, a secret society built upon Roosevelt’s ideals of masculine virility and virtue.

But the path to maturity is a complex thing in the Gilded Age. Will his journey free him from the Alderdice family illusions, half-truths, and lies that have kept him a child? Or will it lead him into the world of Actaeon, where the hunter becomes the hunted?

Available at the following online retailers:

Amazon Universal Link

B&N

Apple iBooks (iTunes)

Kobo

Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14, and writing became her voice. She writes fiction characters who examine their past in order to move into their future and are influenced by the time in which they live.


Her first book, a collection of contemporary short stories titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. She is currently working on a Gilded Age family saga. The first book, The Specter, came out in June of 2019, and the second book, False Fathers, is also now available. Book 3 (The Claustrophobic Heart) and Book 4 (Dandelion Children) will be out in 2020. She is also working on a historical mystery series featuring a turn-of-the-century New Woman sleuth. Both series take place in Northern California.

She lives in Texas but calls San Francisco and the Bay Area “home”. When she’s not writing, she’s reading classic literature and historical fiction, watching classic films, or cooking up awesome vegetarian dishes.


For more information on Tam May and her work, feel free to check out her website at www.tammayauthor.com.

New Waxwood story from Tam May

False Fathers, Waxwood Series book 2

Tam May

December 28, 2019

Dreambook Press

$11.99 Print

$.99 Ebook

Buy on Amazon

Buy on Barnes and Noble 

About the Book

Sometimes no father is better than a false father.

At nineteen, Jake Alderdice is shy, contemplative, and passionate about art. With the death of his grandfather, shipping magistrate Malcolm Alderdice, he becomes the new family patriarch and heir to Alderdice Shipping and Alderdice Luxury Liner. After two years of mourning, he is ready to add to the family honor just as all the Alderdice men have, but as an artist, not a shipping magistrate. His plans are delayed with his mother announces the family will be retreating to Waxwood, now a fashionable resort town favored by the San Francisco elite, for the summer, fulfilling her father's dying wish to "go back.” 

On the train, he meets Harland Stevens, an enigmatic but charming older man, who has come to Waxwood as chaperone and guide to his college-aged cousin Roger and Roger's friends. Mr. Stevens, or, as he tells Jake, "just Stevens", takes an interest in the young man's ambitions, and introduces him to the town's most prominent gallery owner. But when Jake takes his paintings for appraisal, the man delivers a fatal blow — Jake's mythology-inspired paintings are too original for the market of realistic landscape paintings favored by Gilded Age patrons.

Stevens seizes the devastated and wandering Jake and counsels him toward a more aggressive but moralistic path to manhood inspired by Teddy Roosevelt and Thoreau. Jake proves himself to be more studious and serious than Roger and his friends. Impressed with the young man's determination to take over his grandfather's business, Stevens introduces him to The Order of Actaeon, a secret society built upon those ideals favored by his idols.

But the path to emotional maturity and masculine identity is, Jake learns, a complex thing in the Gilded Age. Will his journey free him from the Alderdice family illusions, half-truths, and lies that have kept him a child, just as it did his sister Vivian's six years before? Or will it lead him into the world of Actaeon, where the hunter becomes the hunted?

My Review

Gilded and Privileged age slice of life

Tam May knows her stuff, and skillfully weaves a tale of, by today’s standards, a coming-of-age story near the early days of the twentieth century in America.

Once the reader gets past an expected but not always practiced two-year mourning period of a family member, the adventure begins. Genteel to the maximum, False Fathers is not an action adventure, but a thoughtful commentary on the last principled era.

After the lengthy period of withdrawal from society, the Alderdice family of San Francisco, shipping magnate, takes to the country for the summer. The male heir to the Alderdice business, Jacob, has reached, or nearly so, his majority, and must decide his future. He is a thoughtful, torn young man who would like to practice painting, to seek a profession as an artist instead of stepping into his familial shoes of business. His strong-willed mother, Larissa, is willing to let him explore this fancy. Jake’s older sister, Vivian, had her adventure some years earlier when she visited a friend of her late grandmother. With his mother and sister always in contention, Jake slides away from the tension and encounters a strangely compelling man chaperoning a group of university boys on a summer lark. Jake and the man, Stevens, begin a mentoring relationship which ends in a sobering, fate-changing reality in an otherwise unassuming summer.

Jake was raised by his late grandfather, and is subconsciously seeking another father figure who will guide him on his decisions for his future. What he learns is that everyone has secrets and failings. Even his family history is built upon secrets and failings and it is up to him to live up to his own principles.

Written primarily from Jake’s point of view, False Fathers is recommended for those who appreciate a little-explored period in American history. Those who love the story of Margaret Brown (“unsinkable” Molly Brown, without the music) or the era of suffrage, will enjoy Tam May’s Waxwood series.

About the Author

Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14, and writing became her voice. She writes fiction about characters who find their future by exploring their personal past influenced by the time in which they live.

Her first book, a collection of contemporary short stories titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. She is currently working on a Gilded Age family saga. She is also working on a historical mystery series featuring a turn-of-the-century New Woman sleuth. Both series take place in Northern California.

She lives in Texas but calls San Francisco and the Bay Area "home". When she's not writing, she's reading classic literature and historical fiction, watching classic films, or cooking up awesome vegetarian dishes.

Meet Vivian Alderdice the Girl with the Dagger

The Girl with the Dagger: Vivian Alderdice in

The Waxwood Series

Photo Credit: Lady in Prison, Raja Ravi Varma, date unknown, oil on canvas, Sri Chitra Art Gallery: Praveenp/ Wikimedia Commons / PD Art (PD Old 100) 

Vivian Alderdice is the unofficial main character (MC) of my upcoming historical fiction family drama, the Waxwood Series. The reason I call her the unofficial MC is that she’s not the sole MC of any of the 4 books in the series. But she is the character upon which the many themes of the series come to a head. She is present in all the books (the only character who consistently is), and her point of view, even when not the main one, is psychologically always present.

So what makes Vivian so special that she earned her place in a four-book series? The fact that she’s a Gilded Age debutante, caught right in the crossroads of an old century about to be hurled into the modern age is one reason. History writer and doctoral student Evangeline Holland writes of the Edwardian debutante in her blog Edwardian Promenade, and although the post mainly covers the first few decades of the 20^th century, her point about the American debutante rings true for Gilded Age young women of wealthy families. Vivian comes from a wealthy and socially prominent San Francisco family and, like the Edwardian debutantes, becomes a woman when she reaches the age of eighteen. Until that age, she went about with long hair and shorter skirts. When she turned eighteen, her hair went up, her skirts lengthened, and she earned her first pair of “slippers” (the name for high heeled shoes at that time). But more than that, once she hits eighteen, she has a set of rigorous expectations placed upon her, namely, to marry as soon as possible and marry well (I.e., a man whose wealth and social standing is equal to the Alderdices).

Most Gilded Age young women accepted this as their fate. Indeed, they were conditioned by the separate spheres to believe this was their destiny. But I write about characters who are both a product of their time and rebels of it. So Vivian is different. Her own zest for life and her recognition of the hidden truths, evasions, and lies that make up her dysfunctional family tree have made her desire more out of life than what the Victorian separate spheres has to offer women.

In addition, her insightful personality makes it impossible for her to shy away from the unpleasantness of the past. Unlike her mother and brother, who have a “don’t ask, don’t tell” life philosophy, she faces adversity head-on. This is why Vivian is the Dagger Girl. She isn’t afraid to plunge the dagger into the heart of a matter and twist the knife. The problem is, sometimes her daggering hurts people she cares about and forces them to face demons they’re not ready to face.

There was no real life inspiration for Vivian, but she is the person I wished I was twenty or twenty-five years ago. At that time, I was blind to my own family dysfunctions, unwilling to dig for the truth and twist the dagger. Characters are often times a composite of people the author has seen and known or heard of, but I think they also frequently contain an element of the author that he/she wishes they were or had been.

Vivian didn’t start out as this kind of dagger-plunging character. I wrote here about how the Waxwood series evolved from a novel in three voices to a four-book series. The original character of Vivian (named Daisy) was a more passive character looking for a mother’s love and finding it in the most unlikely place. But when I conceived of the series, I knew I wanted to make Vivian more active, flawed in that she is too direct and truthful at times but also with the guts to face her demons and look back at the past. As I wrote The Specter, I related Vivian to her grandmother Penelope Alderdice, whose own dreams had been squelched by society’s expectations. Vivian emerged as a strong voice, a voice specific to the new century see-sawing between the old ways and the new promises of the modern age.

To what lengths will one go to exorcise a specter?

One rainy morning in 1892, people gather to mourn the death of San Francisco socialite Penelope Alderdice. Among them is a strange little woman named Bertha Ross, who claims to have known “Grace” in the 1850’s in the small town of Waxwood. But Penelope’s granddaughter, Vivian, has never heard of Grace or Waxwood.

Bertha reveals surprising details about Grace’s life in Waxwood, including a love affair with Evan, an artist and member of Brandywine, Waxwood’s art colony.Vivian’s mother, Larissa, insists Bertha is an imposter who has come not to mourn a woman she knew in her youth but to stir up trouble.

Vivian, however, suspects the key to her grandmother’s life and her own lies in Waxwood. She journeys to Brandywine where she meets Verina Jones, Evan’s niece, and discovers a packet of letters her grandmother wrote forty years ago about her time in Waxwood.

As Vivian confronts the specter that holds the truth to secrets buried in the family consciousness, she examines her grandmother’s life as a mid-19^th century debutante and her own as a Gilded Age belle. Will she find her way out into the world as an autonomous being, or will she be haunted by the specter of her grandmother’s unhappiness all her life?

Available at the following online retailers:

Amazon US: https://www.amazon.com/dp/B07RLVX7NW

Amazon UK: https://www.amazon.co.uk/dp/B07RLVX7NW

B&N: https://www.barnesandnoble.com/w/the-specter-tam-may/1131626306

Apple iBooks: https://itunes.apple.com/us/book/id1464211695

Kobo: https://www.kobo.com/us/en/ebook/the-specter-5

Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14 and writing became her voice. She writes historical and contemporary fiction about characters who must examine their past and the time in which they live to move on to the future.

Her first book, a collection of contemporary short stories titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. She is currently working on a Gilded Age family saga, of which the first book, The Specter, is now available. She is also working on a historical mystery featuring a turn-of-the-century New Woman female sleuth. Both series take place in Northern California.

She lives in Texas but calls San Francisco and the Bay Area home. When she’s not writing, she’s reading classic literature and watching classic films.

For more information on Tam May and her work, feel free to check out her website at www.tammayauthor.com.

New Fiction from Tam May The Order of Actaeon

The Order of Actaeon, Waxwood Series, book 1

Tam May

c. Janurary 2018

Dreambook Press

Print ISBN 978-0998197920

Print $10.95

Ebook $2.99

Buy on Amazon

About the Book

Sometimes the hunter becomes the hunted.

Jake is heir to the fortune and name of the prominent San Francisco Alderdice family. Although dearly loved by his sister Vivian, his passion for art and his contemplative temperament make him a pariah in the eyes of his bitter, tyrannical mother Larissa.

Eight months after his grandfather dies, Larissa announces the family is going to Waxwood, an exclusive resort town in Northern California, for the summer. At first, Jake’s life seems as aimless in Waxwood as it was in the city. Then Jake meets Stevens. With paternal authority and an obsession for power and leadership, Stevens is the epitome of Larissa’s idea of a family patriarch. Jake develops a hero worship for Stevens who in turn is intrigued by Jake’s artistic talent and philosophical nature. Stevens introduces him to the Order Of Actaeon, a group of misanthropes who reject commercial and conventional luxuries for a “pure” life in the wild.

But behind the potent charms of his new friend and seductive simplicity of the Actaeon lifestyle lies something more brutal and sinister than Jake could have anticipated.

My review

Literary, and in this case, psychological fiction, is often hard to classify. It’s meant to be thought-provoking, and May’s full-length fiction certainly does that. I admit not having a base from which to understand the Alderdice family and others like them who can simply afford to move to a resort for several months, where the bulk of this story takes place. I’m also from a hunting family, so I also can’t personally understand the depth of horror others feel about killing for food. Maybe for perverse sport or torture, yes, but not as a necessity for gathering food.

That said, I also recommend readers understand the background of the very basic Greek myth of the hunter, Actaeon, before or during reading this novel. May does share the story in different ways through the book, but having a base knowledge first helps.

The Order of Actaeon is an oddly coming-of-age story about adult children who have never grown up in a family seemingly in isolation in many ways. The story begins in contemporary times in San Francisco and begins on a left foot in the purview of the family matriarch saying farewell to her dying father. Her view of her adult children seemingly sets one tone for the book that ends with the Introduction and Larissa’s voice. Jake takes up the storyline in chapter one. Jake will probably never step into the family patriarchal role of leader and business mogul. He has an artist’s soul, if not encouragement or self-acceptance. A character is introduced who has the power to send the family on a summer break, and then shoved off-stage. While on this summer break, another powerful man, Harding Stevens, steps into the gap and changes the course of their lives.

Another important aspect to appreciate this novel is to step into Jake’s shoes as he slowly reveals the depravation of his psyche and the desperation to fill it with love and admiration, no matter the source. May’s lyricism in describing the comparison Larissa makes between Jake and his father, no longer in the picture, show this beautifully when Jake broods that his mother has “kept photographs never taken and never thrown away” of his father. The love of his sister will never be enough. Jake’s need to garner the admiration of Stevens starts on the highest of proverbial pedestals, and you know what they say about the length of the fall. While he charms Larissa and repels Vivian who also has a strange attraction to him, Jake comes the closest to leaving his self-imposed funk.

The reader is led on an emotional awakening with Jake and Stevens. Toward the climax of the story, Stevens asks, “No one is going to alienate you anymore, isn’t that what you’ve always wanted?”

I’m not really sure how to describe what seems to be merely a prop, the Order of Actaeon as a group of men Stevens seemed to have stumbled upon. When I try to recall exactly the role of the group, I wonder if the story wouldn’t be just as good without them. But this is just the first book in a series, and I’m sure there are plenty more twists to come.

About the Author:

Tam May was born in Israel but grew up in the United States. She earned her B.A. and M.A in English and worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14 and writing became her voice. She writes psychological fiction, exploring characters’ emotional realities informed by past experiences, dreams, feelings, fantasies, nightmares, imagination, and self-reflection.

Her first book, a short story collection titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. The first book of her family drama series, The Waxwood Series, is out now in paperback. She is currently working on the second book of the series and a work of psychological women’s fiction titled House of Masks.

She lives in Texas but calls San Francisco and the Bay Area home. When she’s not writing, she’s reading classic literature and watching classic films.

For more information on Tam May and her work, feel free to check out her website at www.tammayauthor.com.