Showing posts with label Women's fiction. Show all posts
Showing posts with label Women's fiction. Show all posts

Tuesday, July 2, 2019

Meet Vivian Alderdice the Girl with the Dagger


The Girl with the Dagger: Vivian Alderdice in
The Waxwood Series

Photo Credit: Lady in Prison, Raja Ravi Varma, date unknown, oil on canvas, Sri Chitra Art Gallery: Praveenp/ Wikimedia Commons / PD Art (PD Old 100

Vivian Alderdice is the unofficial main character (MC) of my upcoming historical fiction family drama, the Waxwood Series. The reason I call her the unofficial MC is that she’s not the sole MC of any of the 4 books in the series. But she is the character upon which the many themes of the series come to a head. She is present in all the books (the only character who consistently is), and her point of view, even when not the main one, is psychologically always present.

So what makes Vivian so special that she earned her place in a four-book series? The fact that she’s a Gilded Age debutante, caught right in the crossroads of an old century about to be hurled into the modern age is one reason. History writer and doctoral student Evangeline Holland writes of the Edwardian debutante in her blog Edwardian Promenade, and although the post mainly covers the first few decades of the 20th century, her point about the American debutante rings true for Gilded Age young women of wealthy families. Vivian comes from a wealthy and socially prominent San Francisco family and, like the Edwardian debutantes, becomes a woman when she reaches the age of eighteen. Until that age, she went about with long hair and shorter skirts. When she turned eighteen, her hair went up, her skirts lengthened, and she earned her first pair of “slippers” (the name for high heeled shoes at that time). But more than that, once she hits eighteen, she has a set of rigorous expectations placed upon her, namely, to marry as soon as possible and marry well (I.e., a man whose wealth and social standing is equal to the Alderdices).

Most Gilded Age young women accepted this as their fate. Indeed, they were conditioned by the separate spheres to believe this was their destiny. But I write about characters who are both a product of their time and rebels of it. So Vivian is different. Her own zest for life and her recognition of the hidden truths, evasions, and lies that make up her dysfunctional family tree have made her desire more out of life than what the Victorian separate spheres has to offer women.

In addition, her insightful personality makes it impossible for her to shy away from the unpleasantness of the past. Unlike her mother and brother, who have a “don’t ask, don’t tell” life philosophy, she faces adversity head-on. This is why Vivian is the Dagger Girl. She isn’t afraid to plunge the dagger into the heart of a matter and twist the knife. The problem is, sometimes her daggering hurts people she cares about and forces them to face demons they’re not ready to face.

There was no real life inspiration for Vivian, but she is the person I wished I was twenty or twenty-five years ago. At that time, I was blind to my own family dysfunctions, unwilling to dig for the truth and twist the dagger. Characters are often times a composite of people the author has seen and known or heard of, but I think they also frequently contain an element of the author that he/she wishes they were or had been.

Vivian didn’t start out as this kind of dagger-plunging character. I wrote here about how the Waxwood series evolved from a novel in three voices to a four-book series. The original character of Vivian (named Daisy) was a more passive character looking for a mother’s love and finding it in the most unlikely place. But when I conceived of the series, I knew I wanted to make Vivian more active, flawed in that she is too direct and truthful at times but also with the guts to face her demons and look back at the past. As I wrote The Specter, I related Vivian to her grandmother Penelope Alderdice, whose own dreams had been squelched by society’s expectations. Vivian emerged as a strong voice, a voice specific to the new century see-sawing between the old ways and the new promises of the modern age.


To what lengths will one go to exorcise a specter?

One rainy morning in 1892, people gather to mourn the death of San Francisco socialite Penelope Alderdice. Among them is a strange little woman named Bertha Ross, who claims to have known “Grace” in the 1850’s in the small town of Waxwood. But Penelope’s granddaughter, Vivian, has never heard of Grace or Waxwood.

Bertha reveals surprising details about Grace’s life in Waxwood, including a love affair with Evan, an artist and member of Brandywine, Waxwood’s art colony.Vivian’s mother, Larissa, insists Bertha is an imposter who has come not to mourn a woman she knew in her youth but to stir up trouble.

Vivian, however, suspects the key to her grandmother’s life and her own lies in Waxwood. She journeys to Brandywine where she meets Verina Jones, Evan’s niece, and discovers a packet of letters her grandmother wrote forty years ago about her time in Waxwood.

As Vivian confronts the specter that holds the truth to secrets buried in the family consciousness, she examines her grandmother’s life as a mid-19th century debutante and her own as a Gilded Age belle. Will she find her way out into the world as an autonomous being, or will she be haunted by the specter of her grandmother’s unhappiness all her life?

Available at the following online retailers:



Author Pic Final
Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14 and writing became her voice. She writes historical and contemporary fiction about characters who must examine their past and the time in which they live to move on to the future.


Her first book, a collection of contemporary short stories titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. She is currently working on a Gilded Age family saga, of which the first book, The Specter, is now available. She is also working on a historical mystery featuring a turn-of-the-century New Woman female sleuth. Both series take place in Northern California.

She lives in Texas but calls San Francisco and the Bay Area home. When she’s not writing, she’s reading classic literature and watching classic films.

For more information on Tam May and her work, feel free to check out her website at www.tammayauthor.com.




Friday, December 15, 2017

New novel by GE Kretchmer


36440898
Bear Medicine
G Elizabeth Kretchmer
Women’s Fiction

Ebook $5.99
Print $18.93
ISBN 978-0-9961038-6-2
October 2017, Dancing Seeds Press

Buy on Amazon 

About the Book
Alternating between contemporary and historical times, Bear Medicine is a story about women helping women in a complicated, male-dominated world.

When Brooke sets off on a trail in Yellowstone National Park to train for an upcoming marathon, she is savagely attacked by a grizzly bear. One hundred forty years earlier, Anne accompanies her husband on a camping trip in the nation’s first national park and awakens one morning to find he’s been captured by Nez Perce warriors.

Both women encounter a sacred but savage landscape. Both fall under the care of American Indian women. Ultimately, Brooke and Anne will need to overcome multiple obstacles, with the help of their new friends and native lore, to find what she seeks.

My Review
Seeking and Finding are complicated…discovering what you need and what you want, and how you are needed can result in very different journeys from your starting point. In Kretchmer’s new novel, a simple camping trip, and a week away from distractions turn into life-altering challenges for two women separated by centuries.

The author maintains her story is about women helping women in a male-dominated world. That was certainly true for Anne, the nineteenth century wife who was forced to accompany her husband on an adventure in the wild west. Brooke, the twenty-first century wife, chose her destination, as well as her destiny. In this lengthy novel, Kretchmer weaves a story of how sacrifices in the past provided a haven in the present. Both main characters of different times were enslaved by societal ideals and customs; both discovered they were capable people in their own ways.

While the journeys of both historical and contemporary women parallel the other, the author takes time to flesh out events that lead them on the route to self-discovery. Historically, a widowed Nez Pierce woman and Anne team up to create a new settlement; Brooke finds a place of healing and communal healing as a result of that teamwork. I found Brooke hard to take on many levels. She was a compliant wife to an endlessly clueless and snarky overbearing man who, once on her own, became attractive to several different men in her new environment, even while whiny and needy. Her kids were disasters, but her journey to self-discovery was worth following. I wasn’t always sure where the author was going to take me, and at times, it seems she wasn’t, either.

The setting of the story was lush and rich and the characters nicely developed. Readers who appreciate historical struggles for women’s independence and modern day struggles for women’s assertion will love Bear Medicine. I found myself wishing to spend a couple of weeks at Maggie’s Place, the haven Kretchmer created as the Wyoming settlement strictly for women.

From the Author
G.ElizabethKretchmerBear Medicine is my third full-length work. Originally from Chicago, I’ve also published The G.ElizabethKretchmerG.ElizabethKretchmerG.ElizabethKretchmerDamnable Legacy, a novel set in Alaska about how far we’ll go to achieve our goals and at what cost, and Women on the Brink, a collection of short stories about women facing life’s unwelcome realities. My short work has appeared in The New York Times as well as various anthologies and other publications. I hold an MFA in Writing from Pacific University and a BS in Accounting from Indiana University. When I'm not writing, I'm facilitating wellness-writing workshops, advocating for the environment, or working on my organic farm in the Pacific Northwest.
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